The premise
New Orleans keeps no receipts. Forty years of sessions, mixes, and cultural labor evaporate because nobody was assigned to write it down. This site is the receipt — a working archive built by the person who was in the room.
Submission dossier
Everything a jury needs in one place: the entry summary, the concept, the craft evidence, the credits block, and the routes worth judging.
New Orleans keeps no receipts. Forty years of sessions, mixes, and cultural labor evaporate because nobody was assigned to write it down. This site is the receipt — a working archive built by the person who was in the room.
A portfolio argues for future work. An archive establishes the record. Every route here is a primary source: dated timeline entries, credited photography, registered catalog works, transcribed declarations, and grant-ready institutional documents.
Museum-editorial rather than agency-modern. Cormorant Garamond and Karla against near-black navy with champagne gold. Plate numbers, caption rails, and verification flags borrowed from archival cataloguing rather than from web fashion.
The archive audits itself. Perceptual hashing surfaces duplicate frames, an identity-verification pass flags uncertain attributions, and unverified plates carry a visible flag and are withheld from search metadata. Being honest about doubt is part of the design.
| Programme | Categories | Judging criteria | Status |
|---|---|---|---|
| The Webby Awards |
| Content · Structure & Navigation · Visual Design · Functionality · Interactivity · Overall Experience | Ready |
| Awwwards |
| Design 40% · Usability 30% · Creativity 20% · Content 10% | Ready |
| CSS Design Awards |
| UI Design · UX Design · Innovation | Ready |
| FWA |
| Innovation · Craft · Concept · Execution | Ready |
| Communication Arts / Interactive |
| Concept · Craft · Relevance | Ready |
| The Lovie Awards |
| Same six Webby pillars, European jury | Optional |
Submitted as required by Awwwards and CSS Design Awards. Per-image and per-recording attribution lives on the credits and licensing page.
For press assets, high-resolution stills, or an interview with the archivist, use the press kit — it carries the approved bio, logo pack, and photography.